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  3. 2017: Vol. 4, No. 25, noviembre-diciembre

2017: Vol. 4, No. 25, noviembre-diciembre

Published: 2017-11-01

Artículos

  • A world where there are many worlds. For a transmodern turn in the historical sciences

    Octavio Spíndola Zago
    1-13
    • Visor (Spanish)
    • PDF (Spanish)
    • EPUB (Spanish)
    • HTML (Spanish)
  • Venezuela and State Terrorism: From Social Representation to Discursive Production

    Andrea González Medina
    14-17
    • Visor (Spanish)
    • PDF (Spanish)
    • EPUB (Spanish)
    • HTML (Spanish)
  • Art and game: the chess as a showcase of Coloniality

    Emmanuel Ginestra
    18-22
    • Visor (Spanish)
    • PDF (Spanish)
    • EPUB (Spanish)
    • HTML (Spanish)
  • Urban Artists Program: A reading from Urban Sociology

    Andrea González Medina
    23-26
    • Visor (Spanish)
    • PDF (Spanish)
    • EPUB (Spanish)
    • HTML (Spanish)
  • The National Conservatory of Chile and the 1928 reform: a look at the exclusion of popular music

    Pablo Rojas Sahurie
    27-34
    • Visor (Spanish)
    • PDF (Spanish)
    • EPUB (Spanish)
    • HTML (Spanish)
  • Motecuzoma facing the reality of the myth

    Alejandro Morales Jiménez
    35-40
    • Visor (Spanish)
    • PDF (Spanish)
    • EPUB (Spanish)
    • HTML (Spanish)

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Edited in Bahía Blanca, Argentina (Realidad e Historia—Study Group, an unincorporated civil association). Ownership and technical administration: Sociedad de Investigación Social y Difusión Cultural Realidad e Historia Limitada, Concepción, Chile (RUT 77059792-7). Analéctica maintains full autonomy in its editorial decisions. More information in About the Journal.

All issues of Analéctica are published in open access under the Creative Commons Attribution 4.0 International License.

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eISSN 2591-5894 | NAAN ark:34892

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